PREVIOUS PRODUCTION
1998.....(The Taming of the Shrew)
 
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Shakespeare is fun, this is the reminder, or in some cases revelation, this play gave its audience. It dispensed with many companies' recent penchant to burden Shakespeare's comedies with an imagined heavy sub text and was performed as a comedy. One which had me laughing more than any previous production. Every member of the cast added to the production's vibrancy. All are talented comedians as well as actors.
This production is hugely entertaining: energetic, bawdy and masses of fun. The volume of the play, the energy and charisma of the cast, the bright costumes and the relaxed outdoor setting all contribute to make this a funny, engaging and immensely enjoyable evening. The company has excelled in achieving it's aim of enabling its audience to recognise the relevance of Shakespeare and to participate in the enjoyment of the work."

Essex County Standard

Ann Courtney's regional touring company Mad Dogs and Englishmen is visiting barns, castle parks, churchyards, manor houses and pubs, with its summer production of that very accessible and rumbustious Shakespearean comedy. - As their name suggests, these performers have a reckless penchant for the open air.

The taming of shrewish Kate by her strong-willed new husband can never be truly judged by today's standards of equality, but Courtney- who plays the eponymous Katerina - clearly understands that this unhappy young woman is much more content living in obedience to her Petruchio and will doubtless be treated with far more respect as a consequence. Courtney carries off the mellowing of her character with triumphant dignity.

Tim Freeman's big and blustering Petruchio - just like a young Brian Blessed - has tons of charisma…..and Petruchio's outrageous codpiece - unforgettable.

The Stage Liz Mullen 24 th July 1998

 
 
The Taming of the Shrew (William Shakespeare)

In Elizabethan England it was almost universally agreed that it was a God-given right, confirmed in the Bible, for a husband to dominate his wife in all things, just as a king could dictate to a citizen or a human being could control an animal. Is Shakespeare's tale merely one re-instating this common belief? Or are we looking at an account of the tyranny of man over woman? Perhaps it is a misconception to see the play from either of these points of view.

There is undeniably a battle of wills between Katherine and Petruchio which is the main stay of the play but if we look at the other characters and their progression along mostly devious paths we start to see a deeper message emerging. At least Petruchio plainly states what he is about. There is an honesty that we can't but help admire even if we think he is misguided.

It is ironic that Petruchio's frankly mercenary interest in marriage yields a love match, whereas Lucentio's rapture for Bianca lands him with a shrew. Petruchio has set about a strategy where Lucentio takes a more conventional romantic approach. Is Hortensio right when he says "This has put me in heart. Have to my Widow! And if she be froward, then hast thou taught Hortensio to be untoward." Is Petruchio in the right? What might be described nowadays as 'Behaviour modification technique'?

It doesn't seem to work with Hortensio and his rich widow. Petruchio's bullish behaviour at times seems down right cruel. It is possible that Shakespeare wants to point at the need for behaviour adjustment in both his characters. Does Petruchio go to far? Does he totally believe what he is doing is right? Do we see a defeated Katherine at the end of the play? Have a closer look. See what you think.

   

 

Cast and Crew

John O'Halloran / Lee Robins:
Bastista Minola
Ann Courtney:
Katherina Minola
Tim Freeman:
Petruchio
Mark Lancaster:
Grumio
Malcolm Kimmance:
Curtis and Vincentio
Suzanne Webb:
Bianca
Philip Steward:
Gremio / Pedant / Joseph
Paul Ridley-Thomas:
Hortensio / Nathaniel
Stephan Drury:
Lucentio / Tailor
Peter Griffiths:
Biondello / Haberdasher / Nicholas
Wendy Smith:
A Widow

Ann Courtney:
Director
Wendy Smith:
Associate Director
Piers Gordon:
Composer
Annie Bielecka / Martin Jezierski:
Design

 
 
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